11/21/2022 0 Comments Imdb twilight zoneFenton, fully aware of Takamori's silent building rage, replies, "If that's what you're here for, all right then. But Takamori is under the control of the sword. In a sudden depression, Fenton soon admits that he is unhappy with himself and what he has done, his wife is leaving him, and that he has pulled Takamori into conversation because he does not want to be left alone. Now all of a sudden, you're fine people - highly cultured - and it's propaganda about your lousy transistor radios." And that we shouldn't worry about burning you out of your caves. In the Pacific we were told you guys weren't even human - you were some kind of ape. The sword, however, appears to be dictating the course of the conversation, and soon Takamori accuses Fenton of being a murderer, for killing an unarmed man.įenton offers a speech in his own defense about following orders: "You can't hold a man responsible for following orders, can you?. Seeing Takamori's guilt, Fenton has pity for him, and tries to offer some comfort. Takamori claims that he watched from afar as the planes bombed the harbor, and his father with it, stating his father tried to alert sailors to the attack.Įxasperated, he then admits that this was a fabricated story, and that his father was a traitor who helped the Japanese attack by providing information. In agitation, Takamori describes his experience as a small child at Pearl Harbor, claiming his father was a construction foreman who helped build the harbor. Fenton can't open it either, despite claiming the door doesn't have a lock. This too subsides, and on account of some rare insight, Takamori makes the accusation that Fenton killed the Japanese soldier only after the soldier surrendered and disarmed.įenton challenges the accusation, but then admits to it: "All right, so what if I did? So what if I did?" Takamori tries to leave but the door is mysteriously shut and won't open. They briefly assume an adversarial posture, Takamori challenging Fenton with the sword. Takamori moves to leave, but Fenton refuses to let him, insisting they drink another beer.įenton appears to suffer from a post traumatic flashback. They have brief heated exchanges which then subside and reemerge again. Takamori grows more uneasy and more confrontational. They reveal more and more about themselves, Fenton admitting that he knows the inscription on the sword ("The sword will avenge me"), and challenges Takamori to admit that he can read Japanese. Fenton comes back and notes its absence, but doesn't accuse Takamori rather he acts confused at its misplacement. I'm going to kill him." Takamori hides the sword. Fenton asks about the inscription on the sword Takamori claims to not be able to read Japanese.īut when Fenton leaves briefly to fetch more beer, Takamori takes hold of the sword and says in an astonished way "I'm going to kill him. In conversation, Arthur states that he changed his name from Taro, and Fenton politely responds.įenton coincidentally finds an old samurai sword which he says he got off a Japanese soldier whom he killed during the war twenty years earlier. Takamori is intent on work rather than conversation, but reluctantly agrees to Fenton's offer. Fenton is gruff, yet cordial, offering Takamori a beer up in his cluttered attic. The story is about the meeting of an American WWII veteran named Fenton (Neville Brand) and a young Japanese-American named Arthur Takamori (George Takei) who comes to Fenton's house looking for work, on a tip from a neighbor. It's twenty-odd years since Pearl Harbor, but two ancient opponents are moving into position for a battle in an attic crammed with skeletons - souvenirs, mementos, old uniforms and rusted medals - ghosts from the dim reaches of the past that will lead us into. "Two men alone in an attic a young Japanese-American and a seasoned veteran of yesterday's war.
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